Category: Gospel


Among the Americana gems on Amos Lee’s soulful Mission Bell is the Gospel-fueled “Jesus.” Handclaps and dirty guitar lead the way into the call-and-response chorus. It’s as pointed as any of the complaint Psalms, the Psalms of the Old Testament that take the pain right up to the throne of God. The chorus is a cry for God’s help, even while the verse admits to feeling wild and free, feeling as if life could go on without acknowledging the divine. But then the speaker admits that his heart “was a skipping stone/But now the world has jaded me/Oh, corrupted and defeated me.”

Then the turning point of faith:
You know I never felt you hated me,
But I never felt so alone.

As much as the speaker is feeling alone, feeling separated from Jesus, feeling as if he’s alone in a world that’s left him “corrupted and defeated,” still he senses God’s love. Jesus doesn’t hate him. There’s still hope. There’s still some way in which he can be restored to God.

This psalm of complaint closes out with the cries for Jesus’ help while the instruments clang and challenge the present state of affairs. It’s as bluesy as the album gets, and it’s a deep-seated blues ripe for prayer vigils, counseling, meditation, and preaching inspiration for days when we need to know that we can walk right up to the throne of God, approach Him through Jesus, and call upon Him in every kind of trouble.

Amos Lee
Blue Note Records

Downtown ChurchI love Patty Griffin’s voice—but her ballads tend to wander away on her so that her voice takes on a certain sameness. That’s what keeps Downtown Church from being a great album, although Griffin’s versions of these traditional Gospel tunes (under the production of Buddy Miller) are often quite well done. Yet, the slower tunes have that sameness, so that I would prefer to create my own playlist made up of the more rocking, bluesy tunes.

“Move Up” comes on like something sung with the Blind Boys of Alabama, the song clearly calling you to new spiritual heights through Jesus, musically pointing to that hope while letting enough blues through to shed light on the ache of still living in a broken world. The stomp blues “Death’s Got a Warrant” doesn’t come with Gospel hope, but it definitely sounds the warning about finality, reality, and inevitability of eternal death if you do not have Jesus.

“If I Had My Way” lets Griffin’s Gospel voice shine while the band holds back just enough to let the groove build. That Gospel groove marches on for “Wade in the Water,” a track that shows the acoustics of recording in the historic Downtown Presbyterian Church in Nashville, with plenty of echoing reverb in the sparse arrangement.

“The Strange Man” walks into Samaria with a soulful shuffle, a tremendous way to reflect on how Jesus blessed the soul of the woman at the well (among others mentioned in the song).

Of the slower songs, “All Creatures of Our God and King” sends Griffin’s voice reaching for the nooks and crannies of the sanctuary as she lets those hallelujahs ascend to heaven.

The one non-Gospel tune, Leiber and Stoller’s “I Smell a Rat,” sways with that Nashville/Memphis rockabilly. Perhaps an odd choice after Buddy Miller gave Griffin so many Gospel tunes to choose from, and yet, it fits lyrically in the way the preacher must identify sin and declare, “I smell a rat,” when it comes to cloaking our actions as if we can hide our sin from God and His Word.

Patty Griffin
Credential Recordings

Follow

Get every new post delivered to your Inbox.